{"version":"1.0","provider_name":"Perspective","provider_url":"https:\/\/www.perspectivejournal.dk\/en\/","author_name":"SarahSMK","author_url":"https:\/\/www.perspectivejournal.dk\/en\/author\/sarahsmk\/","title":"Christine Deichmann and the Forgotten Greenland Journeys - Perspective","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hikMz1DlfC\"><a href=\"https:\/\/www.perspectivejournal.dk\/en\/christine-deichmann-and-the-forgotten-greenland-journeys\/\">Christine Deichmann and the Forgotten Greenland Journeys<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.perspectivejournal.dk\/en\/christine-deichmann-and-the-forgotten-greenland-journeys\/embed\/#?secret=hikMz1DlfC\" width=\"600\" height=\"338\" title=\"&#8220;Christine Deichmann and the Forgotten Greenland Journeys&#8221; &#8212; Perspective\" data-secret=\"hikMz1DlfC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.perspectivejournal.dk\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.perspectivejournal.dk\/wp-content\/uploads\/2024\/09\/003.jpg","thumbnail_width":1534,"thumbnail_height":2048,"description":"Christine Deichmann's (1869-1945) art challenged the colonial perspectives of her time on the Greenlandic landscape and people, while she herself was a Danish artist in Greenland, with all the colonial implications that position entails. This article explores this dual perspective in Deichmann's practice, while also addressing the absence in Danish art history of artists who travelled to and in Greenland."}