{"version":"1.0","provider_name":"Perspective","provider_url":"https:\/\/www.perspectivejournal.dk\/en\/","author_name":"alexander@koal.dk","author_url":"https:\/\/www.perspectivejournal.dk\/en\/author\/alexanderkoal-dk\/","title":"Zahrtmann\u2019s Symposium: Ethics, History and Desire - Perspective","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uENbKJXm1m\"><a href=\"https:\/\/www.perspectivejournal.dk\/en\/zahrtmanns-symposium-ethics-history-and-desire\/\">Zahrtmann\u2019s Symposium: Ethics, History and Desire<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.perspectivejournal.dk\/en\/zahrtmanns-symposium-ethics-history-and-desire\/embed\/#?secret=uENbKJXm1m\" width=\"600\" height=\"338\" title=\"&#8220;Zahrtmann\u2019s Symposium: Ethics, History and Desire&#8221; &#8212; Perspective\" data-secret=\"uENbKJXm1m\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.perspectivejournal.dk\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.perspectivejournal.dk\/wp-content\/uploads\/2023\/02\/06.jpg","thumbnail_width":1920,"thumbnail_height":2330,"description":"The scene in Kristian Zahrtmann\u2019s (1843-1917) Sokrates and Alkibiades, painted in 1911, is taken from Plato\u2019s Symposium, which was one of the most widely used references for homosexual men among Zahrtmann\u2019s contemporaries. Michael Hatt argue, that Zahrtmann\u2019s use of this source is unlike other uses of Greek antiquity as an apologia for or a symbol of male homosexual love."}