The Palestinian-Danish artist duo Larissa Sansour and Søren Lind’s 'Tomorrow’s Ghosts' reconceptualises time and identity. This article examines the exhibition’s use of haunting and the...
In a time of climate and biodiversity crises, where our relationship with our surroundings needs to be reassessed, landscape painting can help us revisit our...
In the spring and summer of 1907, there was a debate in the Danish newspaper Politiken concerning a group of Danish artists and the distribution...
A painting of Saint Sebastian pierced by arrows was already registered in 1690 as part of the Royal Danish Kunstkammer. In this article, the painting...
Since the 1970s, photography has been part of the collection within the field of art on paper at SMK – National Gallery of Denmark. Based...
What was Elisabeth Jerichau-Baumann's motivation for painting erotically charged portraits of women? This article presents a queer theoretical reading of Jerichau-Baumann's Orientalist portraits of women,...
Anna Syberg’s (1870-1914) approach to art can be seen as a ‘space of becoming’; a place where an artistic and aesthetic here and now comes...
This article introduces the field of digital art history with a case study as its point of departure: a visual analysis, enacted by means of...
This article sheds light on Anna Ancher’s painting 'A Vaccination' from 1899 as well as on advances in public health promotion during the artist's own...
This article explores Vilhelm Bjerke Petersen’s (1909–57) Surrealist endeavours in the 1930s, and the exhibition Cubism = Surrealism at Den Frie Udstillingsbygning in 1935.
The article analyzes Denmark's participation in the Venice Biennale in the period 1940-60 - including the Danish participation in the fascist 'War Biennale' during World...
This article situates I Am Queen Mary (2018) by Virgin Island artist La Vaughn Belle and Danish-Caribbean artist Jeannette Ehlers, and examines the reception of the...
