Zahrtmann’s Symposium: Ethics, History and Desire

Alternative Female Roles in the History Paintings of Kristian Zahrtmann

Naked men, gazes and desire. Kristian Zahrtmann from a Nordic perspective

Kristian Zahrtmann’s Late History Paintings: The Artistic Persona of an Invert in Turn-of-the-Century Denmark (1995)

Introduction: Kristian Zahrtmann – Queer, Art and Passion

Perceiving green – red, yellow and blue. The making and colour change of paintings by van Schrieck and Weie

The Place of the Black Body in White History: Jeannette Ehlers’sdecolonial interrogation of “the darker side of Western modernity”

‘First you must draw, then you may paint’. P.C. Skovgaard the draughtsman

The topology of the image series. The singular and the composite in Kandinsky’s Small Worlds

A national collection on the drawing board. Centres for the collection of Danish drawings 1810–45

Girolamo Troppa’s ‘Four portraits of ancient philosophers’

A humourist in the shadow of the swastika